My 2017 Solo Exhibition, Effects of Weather, opens on Thursday, May 4 at Earls Court Gallery, 215 Ottawa Street N. Hamilton, Ontario. There will be wine and cheese from 7:00 pm to 9:00 pm. Please come! There is parking on the street, or in the municipal parking lot just behind Ottawa Street.
If you can’t make it for Thursday’s wine and cheese, come to Ottawa street for lunch and a gallery visit on May 5 instead. That’s the day that there will be 27 food trucks parked EVERYWHERE on Ottawa Street, cooking up a storm for the Sew Hungry rally. Yum. I’ll be there too. The work remains in the gallery until June 8.
Earls Court Gallery is open Tuesday – Friday from 10:00 a.m. to 5:00 pm and Saturday from 10:00 a.m. to 4 p.m. | 905-527-6685 | email@example.com | @earlscourt215
Atlantic Breakers 36″ x 48″
Supposing the wreckage of the Fishfluke Light, that used to mark the entrance to Grand Harbour in Grand Manan NB, were to be gathered up and reconstructed? And, what if the abandoned and disintegrating wooden lobster pounds was recycled to build a swing bridge crossing to Ross Island at the end of Thoroughfare Road? To move, the bridge would need some sort of mechanism besides the tide of course.
Proposal for Thoroughfare Crossing and Fishfluke Light Reconstruction, Mixed Media 18″ x 24″
There may be others, but the only wooden winch that I’ve ever seen is kept in a smoke shed at Seal Cove, where the late Michael Zimmer preserved many historic artifacts of the Atlantic smoked-herring fishery in his Sardine Museum and Herring Hall of Fame. My drawing of it, Winch Herring Shed, is in the permanent collection at the Grand Manan Art Gallery and Proposal for Thoroughfare Crossing and Fishfluke Light Reconstruction is in the Island Art Show there from August 8 to 27 2015.
Winch, Herring Shed, Pen and Ink on Toned Paper, 10″ x 12″
Three of my paintings in Oil Pastel are included in the show On The Rock – Merging Art and Ecology, at the Carnegie Gallery, in Dundas, from March 7 to 30 2014.
Path and Apple Tree 18″ x 24″ Oil Pastel on Wood Panel
The gallery is located at 10 King Street West, Dundas, Ontario. The opening is Friday March 7, from 7 to 9:30 p.m.
Tree and Saplings 18″ x 24″
This exhibition is a project sponsored by the local chapter of A Rocha an international organization dedicated to environmental stewardship. Ten artists were invited to respond to the landscape at Cedar Haven Farm near Freelton Ontario, where A Rocha volunteers have been very active. These images are based on the landscape at that farm.
Fence and Barn 18″ x 24″
Thanks very much to Maureen Thompson of the Markham Group of Artists who invited me to lead a full-day beginner workshop on how to use oil pastels.
It can be challenging to work in a new medium, but as one participant observed it is also liberating because it is easier and more fun to take risks when you’re a learner. We began by preparing masonite panels with Golden Acrylic Ground for Pastels. While they were drying, everyone practiced applying and blending colour as well as mark-making on test sheets of tinted paper coated with pastel ground, before turning their attention to their chosen landscape images for the rest of the day.
Most of us recall working with crayons or coloured pencils as children, an experience that gives artists their starting point. Colours can be stroked gently into the surface and feathered together to create new transparent blends, almost like tweed, or they can be scrubbed firmly into the surface to create dense opaque shapes – and everything in between. Everyone finds their own unique way to apply colour.
As part of today’s process we also looked at the work of two very different artists: Canada’s A.J Casson whose paintings are notable for a strong sense of design that he used to tame complex landscapes. Later, we looked at a number of exquisite works by the American artist Wolf Kahn, whose brilliant colour and calligraphic approach to landscape suggest a completely different way to tackle the challenge.
And here are the results of today’s labour:
Goat Island Ardmore, by Aleda O’Connor 8 1/2″ x 11″ Pen and Ink
It would be hard not to be inspired by the light and landscape in the south of Ireland at any time of the year.
Gate, Lismore Castle, by Aleda O’Connor 3″ x 4″ Pen and Ink
My Irish friends and family thought I was a bit odd choosing to visit in January and urged me to come when the weather was “better,” but I haven’t regretted my timing for a moment.
Middle Glanmire Road, Cork by Aleda O’Connor 8 1/2 ” x 11″ Pen and Ink
While I was admiring the palm trees, primroses, daffodils and gorse in bloom, my family was confronting blizzards at home in Ontario.
Blackwater River Near Villierstown County Waterford, by Aleda O’Connor 8 1/2″ x 11″
Above the Pier, Ardmore, by Aleda O’Connor
3″ x 4″ Pen and Ink
This trip was a bit of a sentimental journey to say hello to family, friends and visit a landscape I hadn’t seen for a while, so I especially appreciated finding some of my old haunts in Waterford and Cork Counties empty of tourists.
Without leaves on the trees and hedges, it was much easier to see the landscape.
My sketchbook was a great companion, especially for someone travelling alone.
Split Rail Fence, Dufferin County 20″ x 28″
Some of my pastel paintings and pen and ink drawings are available to rent or purchase through the Art Etc. Gallery Shop, at the Burlington Art Centre, 1333, Lakeshore Road, Burlington. I’m pleased to be included in a collection of original works by established and emerging Canadian artists.
My subject here is a split rail or snake fence, that I found just outside Orangeville, in Dufferin County, Ontario. These picturesque and durable fences are constructed of white cedar that grows in swampy areas throughout Ontario, especially where there is limestone under the soil.
Black Spruce, by Aleda O’Connor Oil Pastel, 20″ x 28″
My oil pastel landscape painting “Black Spruce” is up for sale in the first of three online art auctions in the 2012 Art Gallery of Hamilton (AGH) Super Auction. Funds raised through this event are being used to establish an art acquisition fund for AGH .
I was the guest speaker for the Burlington Fine Arts Association this week – an exciting first for me. I am so grateful to Victoria Pearce for inviting me to talk about this rewarding medium and to the Association members for their warm response to my work. I briefly discussed the origin and history of oil pastels, the artists who have inspired and influenced my work, and demonstrated my set-up and materials. As you can see I started a new pastel painting and I’ll post the finished work when it’s done. The event was held at the Burlington Art Centre, a wonderful facility not far from our new home in Hamilton.
I’d like to thank everyone who came to the opening night of my exhibition at Core Realty and to thank Core for its generous hospitality and support. The turnout was excellent and I had a wonderful time!
The show is open for viewing seven days a week from 11 am to 4 pm and continues until February 16.