There’s nothing more affirming than getting some notice in the newspaper. Many thanks to Regina Haggo for taking the time to see Industry and write so generously about my work, in her review, Taking the Grey Away, in the Hamilton Spectator.
I’m so pleased to be able to show this body of new work, inspired by the weather and industrial landscape in Hamilton Ontario Canada, at last. I’ll be at Earls Court Gallery, 215 Ottawa Street North, Hamilton Ontario every Saturday, between May 12 and June 18, from 1 to 3 pm., and would be very happy to see you, if you’re able to come to see the work in person.
The installation is complete. I dropped in to Earls Court Gallery today for a sneak preview of Measure of a Year with two friends from Toronto. We had a great visit, and their welcome company helped settle my pre-opening nerves. The show, Measure of a Year, runs until June 13 but the opening party is tomorrow, May 9 from 7–9 pm, 215 Ottawa Street North, Hamilton Ontario. Everyone is welcome!
It’s been busy around here for the last couple of years and now, I’ve got a whole new body of work ready to show. Please join me for my opening on May 9, between 7 and 9 pm, at Earls Court Gallery on Ottawa Street North in Hamilton Ontario. I’ll also be at the gallery for most of the day on Saturday May 11 for those who prefer daytime visits! And while you’re here, stay for a bit. There are all kinds of places where you can eat and explore in the Ottawa Street North neighbourhood.
My 2017 Solo Exhibition, Effects of Weather, opens on Thursday, May 4 at Earls Court Gallery, 215 Ottawa Street N. Hamilton, Ontario. There will be wine and cheese from 7:00 pm to 9:00 pm. Please come! There is parking on the street, or in the municipal parking lot just behind Ottawa Street.
If you can’t make it for Thursday’s wine and cheese, come to Ottawa street for lunch and a gallery visit on May 5 instead. That’s the day that there will be 27 food trucks parked EVERYWHERE on Ottawa Street, cooking up a storm for the Sew Hungry rally. Yum. I’ll be there too. The work remains in the gallery until June 8.
Earls Court Gallery is open Tuesday – Friday from 10:00 a.m. to 5:00 pm and Saturday from 10:00 a.m. to 4 p.m. | 905-527-6685 | firstname.lastname@example.org | @earlscourt215
Coat of Many Colours by Aleda O’Connor, 18″ x 24″ Oil Pastel
Coat of Many Colours will be on the block April 8 in the live auction of paintings at the annual art auction at the Dundas Valley School of Art (DVSA). The school, a non-profit registered charity, raises a significant part its program funding through the sale and auction of donated work. You can preview the hundreds of paintings, drawings, sculpture and ceramic works between 9 a.m. and 9 p.m. April 6 and 7, then from 9 a.m. to 4 p.m. April 8. The sale begins Saturday, April 8, at 8 p.m. Doors open at 7 p.m. Tickets are $40 at the door, $35 in advance at the school or https://dvsa.ca/events. DVSA is at 21 Ogilvie Street, Dundas Ontario. And here’s just a little more about the flock this particular sheep belongs to from CBC’s news program, The National.
Whale Cove Seawall Enhancement Proposal Mixed Media 12″ x 12″
Dark Harbour Seawall Enhancement Proposal Mixed Media 12″ x 12″
My two mixed media drawings, Dark Harbour Seawall Enhancement Proposal, and Whale Cove Seawall Enhancement Proposal are part of this year’s Annual Square Foot Show in New Brunwsick’sGrand Manan Art Gallery. I’ve been playing with ideas about what else could be built with the materials used to build piers and fishing weirs on the island, inspired by the driftwood sculpture constructions by Lars Vilks that are found on the shores of the proud, free micronation of Ladonia. I’m a citizen of Ladonia of course, and would certainly apply for citizenship of Grand Manan, were it possible to do so. In the meantime, I can only offer my collection of modest proposals. The Square Foot Show continues until July 14, 2016.
Supposing the wreckage of the Fishfluke Light, that used to mark the entrance to Grand Harbour in Grand Manan NB, were to be gathered up and reconstructed? And, what if the abandoned and disintegrating wooden lobster pounds was recycled to build a swing bridge crossing to Ross Island at the end of Thoroughfare Road? To move, the bridge would need some sort of mechanism besides the tide of course.
Proposal for Thoroughfare Crossing and Fishfluke Light Reconstruction, Mixed Media 18″ x 24″
There may be others, but the only wooden winch that I’ve ever seen is kept in a smoke shed at Seal Cove, where the late Michael Zimmer preserved many historic artifacts of the Atlantic smoked-herring fishery in his Sardine Museum and Herring Hall of Fame. My drawing of it, Winch Herring Shed, is in the permanent collection at the Grand Manan Art Gallery and Proposal for Thoroughfare Crossing and Fishfluke Light Reconstruction is in the Island Art Show there from August 8 to 27 2015.
Winch, Herring Shed, Pen and Ink on Toned Paper, 10″ x 12″
Dark Harbour Span Concept Looking South, Mixed Media 12″ x 12″ SOLD
Dark Harbour Span Concept looking North, Mixed Media 12″x12″ SOLD
My two small mixed media drawings “Dark Harbour Span Concept Looking North”, and “Dark Harbour Span Concept Looking South” are part of this year’s Square Foot Show at the Grand Manan Art Gallery in New Brunswick. My drawings were inspired by the amazing and mysterious tower at the mouth of the outlet to Grand Manan‘s Dark Harbour, the abundant driftwood on its shores and the wonderful driftwood sculptures (Nimis) built by Lars Vilks in the nature reserve Kullaberg, in the northwest corner of county Skåne, in Sweden, in the (similar-to-Grand Manan) micronation of Ladonia. The show continues until July 16, 2015. @Queen_Ladonia, @LadoniaHerald@Ladonia_Info@SeeNewBrunswick